Friday night's show at the Fox Theatre in Boulder was a great showcase of extreme talent and versatility, featuring a visiting performer and a slew of Colorado's own very capable musicians. People lined up early to catch this show, with a steadily growing crowd that became comfortably packed before the touted headlining band took the stage. With a lineup and setting ideal for a quality evening of folk based music, it was little wonder why people seemed to flock to this Boulder show.

Nick Jaina

The night began with a performance from singer/songwriter Nick Jaina from Portland. Nick Jaina has performed his songs with up to about a dozen backing band members, but on this night he was accompanied by a bassist, drummer, and for a couple of songs, a female duet singer. Together, they performed Nick Jaina's lyrically profound songs with melodies and instrumentation just as profound. Although Nick Jaina's sound has a noticeable contemporary folk influence, his performance was in between modern indie rock and Americana, driven by Nick Jaina's electrified acoustic guitar.

Nick Jaina

Nick Jaina performed a collection of his original material, cooing the crowd with his earnest, delicate, yet strong voice that delivered his well crafted melodies in a calming low tone or soothing falsetto. His electrified acoustic guitar almost made it seem as if there were two guitarists on stage, as one could hear a faint acoustic steel-string guitar shadowing every amplified strum. The deliberately paced bass and drums gave his music presence. My favorite songs were duet pieces, "Sebastopol" and "Cincinnati" - Nick Jaina and his guest vocals had a strong dynamic and the songs themselves were incredibly beautiful. After seeing his set, it was hard for me to believe I hadn't heard of Nick Jaina before, as his songs were incredible and they lingered with me long after the show. If you like indie folk-rock/Americana, I highly recommend seeking out Nick Jaina's music.

Patrick Dethlefs with Eye & The Arrow

Up next was Eye & The Arrow with Patrick Dethlefs. Before the show, I imagined this portion would be a collaborative performance between those artists, but it ended up being closer to two separate performances. Eye & The Arrow performed first in their three-piece band configuration featuring Paul DeHaven on vocals/guitar, Mark Anderson on drums, and Jason Haas-Hecker on bass. Then, Patrick Dethlefs came out to perform his original songs while Eye & The Arrow acted as his backing band along with two female vocalists adding harmonies to the mix. It was a pleasant surprise to get more than I was bargaining for.

Eye & The Arrow

The first few songs by Eye & The Arrow were their characteristic blend of folk and classic country with a contemporary twist that I've become very fond of. Their seemingly old west influenced style conjures up images of tumbleweeds, dust, the scorching desert sun and horses parked outside of saloons, but at the same time it doesn't sound out of place in the present time - a good representative of vintage-modern. They performed a handful of their original songs including standouts like "Sheep And Goats" and "Stutter Beat" to the delight of the crowd.

Patrick Dethlefs

Then Patrick Dethlefs and his accompanying singers came out on stage, and although half the people on stage were from the previous band, a new songwriter and lead vocalist definitely transformed the sound. Patrick Dethlefs' songs had a sort of vintage folk feel to them as well, but more in a reminiscent way - the songs seemed to cause people to peer back at the past as opposed to being completely transported there - an impressive achievement for such a young songwriter. Patrick Dethlefs calls the small town of Kittredge, CO home, and a sort of rustic way of life permeates through his songwriting. Patrick Dethlefs performed pieces of his collaboration album with Eye & The Arrow and also songs off his upcoming album Fall & Rise. Patrick Dethlefs seems to epitomize what it means to be a Colorado folk singer-songwriter, and he is definitely worth checking out.

Paper Bird

Lastly, Paper Bird came out on stage to perform their anticipated headlining set. There were seven  band members on stage for this performance; Sarah Anderson (vocals, trumpet), Genevieve Patterson (vocals), Esmé Patterson (vocals), Caleb Summeril (banjo, harmonica), Paul DeHaven (guitar), Macon Terry (bass), and Mark Anderson (drums). They performed a comprehensive set of their catalog that showed off their impressive range of skill. The band's music is rooted in contemporary folk, but a variety of influences will appear in their sound throughout their music, setting this band apart from most others out there.

Paper Bird

The one element that truly seems to define the Paper Bird sound became immediately evident as the band opened up with "Dear Friend" - the intricate vocal harmonies of the band's three lead singers. Singing close harmonies with the grace and beauty of synchronized swimmers coupled with the skill and precision of fighter jet pilots in tight formation, their voices brought depth and a lively quality to the band's already powerful sound. At any moment one of the three could take lead vocals with their commanding voice, but when all three sang together it was truly artful.

Paper Bird

Paper Bird performed a sweeping set of about twenty-five pieces that spanned their repertoire. They performed songs like the roots/Americana/bluegrass influenced "Lost Boys" and "Boxcars And Thistles". They blended folk with a hint of jazz with songs like "Band of Angels". Even the men showed of their lungs with "Witch of the Waves". They really showed off their versatility with some of the selections they performed from Carry On, an album they composed for a ballet. Before they performed the epic world influenced piece "Drekovsky", they spoke of a quote Paul DeHaven said to the Westword, "The ballet changed everything. There's nothing we can't do." Judging by the intricacy, complexity and sheer beauty of the aforementioned piece, I'd have to agree with that assessment.

Paper Bird

Paper Bird did a great job of taking the audience along with them on their musical journey, sharing not only their music but pieces of their individual personalities along the way. From their version of the birthday song arranged in Paper Bird fashion dedicated to singer Genevieve Patterson, to pop culture tidbits, interesting personal anecdotes, and other entertaining asides, Paper Bird kept the audience engaged both during and between their songs. Whether the audience was singing along to songs like "By The Wind, Sailor" or dancing up a storm to "Colorado", there was never a dull moment. Not only is Paper Bird very capable of incredible songwriting, they did not disappoint when it came to live performance. If you are a fan of folk and haven't seen Paper Bird yet, you're missing out on some of the best Colorado has to offer.

See more pictures from this show in the Facebook photo album. Like the Concerted Effort page to stay up to date.

The first show I covered for this blog at the Fox Theatre was an indie folk show, and since then I've developed an affinity for the two together. I've seen many different types of shows there before and since, and they were great, but there is something powerful to me about going to the Boulder Valley to the storied Fox Theatre for a show like the one upcoming on Friday, March 9th. Two of Denver's finest contemporary folk bands will be at this show, joined by a visiting a singer-songwriter.


The headliner is Paper Bird, a local eight-piece ensemble that has been continually capturing listener's ears and hearts since their inception about five years ago. With four albums under their belt, they have revealed incredible songwriting skill and musicianship through their repertoire of songs. Their music is driven by banjo, guitar, stand-up bass, percussion, trombone and intricate multi-part harmonies, creating contemporary folk songs with a host of other influences including world music, jazz, roots music and blues. Check out this amazing and eclectic piece, "Drekovsky", from their latest album Carry On.



Two other amazing musical forces will join forces in a performance on this night - Eye & The Arrow with Patrick Dethlefs. I have covered Eye & The Arrow on this blog before, and they have always impressed me with their rustic style folk. This time, the Denver trio will work together with singer/songwriter/guitarist Patrick Dethlefs. Patrick Dethlefs is based out of Kittredge, CO, where he learned to play guitar and began penning his own songs at an early age. His soothing voice, acoustic guitar and well crafted songs should pair well with the musicality of Eye & The Arrow. Check out "The Farther You Go".


Nick Jaina is a singer-songwriter based out of Portland, OR. He performs his music in various configurations, be it solo or with the help of up to a ten-piece backing band. He is doing a small tour in between a couple festivals, and this Fox Theatre show will be a stop along the way. For this show, he'll be accompanied by a drummer and bassist. It seems that in any configuration, Nick Jaina is able to deliver his beautifully constructed and heartfelt songs with powerful performances. Check out "Sebastopol (A Bird In The Opera House)".


The show takes place on Friday, March 9th at the Fox Theatre. The doors open at 8:30PM and the music starts at 9:00PM. The show is all ages and tickets are $12 in advance or $15 the day of the show (+$2 for under 21 tickets). Tickets and more information are available at the Fox Theatre website. You can also win tickets from Concerted Effort - check the Concerted Effort Facebook page for more details!

I was Colorado born and raised, and through the years a lot of things have symbolized what my home state means to me. Although I live in the heart of the city now, some of my most memorable moments have taken place far outside city boundaries, out in the open and peaceful mountains that scatter this state. Growing up, if you wanted music out there, you had to take it with you and make it yourself. The earnestness and warmth of the music I saw last night at the Hi-Dive transported me back out into those wild spaces through well crafted songs.

The Changing Colors

The journey began right away with Colorado Springs/Manitou Springs based band The Changing Colors. The Changing Colors performed as Conor Bourgal (vocals/guitar), Ian Bourgal (lap steel, guitar), and Aaron Fanning (cello). The trio created poignant folk tunes that had a strange encompassing power emitted through simple yet strong songs. Their honest approach to music came out as naturally as the wild landscape in which their music evokes images of, making me feel like I was back in the woods again listening to music with a circle of friends.

The Changing Colors

The Changing Colors' music evoked a solemn mood, like the tension of knowing that the beauty of the surrounding wild can easily turn cold should something go wrong. It teetered on the edge, never carefree but not too somber - just delivered with hardened respect. Even the straight guitar instrumental "Boat Song" had that same feeling of understanding, and the dynamic between the Bourgal brothers really came out in that piece. When their set ended with "Work Is Done", one could almost picture the tired rays of the sun vanishing, replaced with the cool light of the moon, as everyone prepared to rest for another quiet evening. This band has a talent for writing beautiful songs that are a soothing remedy to the hustle of city life.

Jack Wilson

Up next was singer-songwriter Jack Wilson from Austin, TX. Jack Wilson didn't travel with his backing band, so instead he enlisted some local help for a handful of songs. When Jack Wilson wasn't performing solo with just his voice and guitar, he had the help of members from Denver's own Paper Bird; Paul DeHaven on drums, Macon Terry on bass, and backing vocals from Sarah Anderson and Esmé Patterson. Jack Wilson was able to evoke a similarly powerful feel through simple songs and strong vocals. His music was earnest and evoked images of the peaceful country without the rugged tension of the previous act.

Jack Wilson

Jack Wilson exhibited a lot of talent; he could create a full sound with just his guitar, he could fill the room with his singing voice, and he could capture the crowd with his warm personality between songs. Apparently he is a good teacher with talented friends as well, as the members of Paper Bird that helped him perform only had three days to rehearse their material, yet nothing sounded clumsy. He could go from uptempo songs to slower tunes like "Valhalla", but no matter the tempo each song was delivered with a lot of energy. I'd be interested to see how he sounds with his usual band, because his temporary band was amazing. Jack Wilson is a great representative of singer-songwriter/folk/country, so if you are a fan of those genres, he will not disappoint.

Eye & The Arrow

Finally, Eye & The Arrow came out on stage to close out the night. I had the privilege of seeing this band for their inaugural live performance, and I was very impressed with what they did at that time. The trio of Paul DeHaven (vocals/guitar), Jason Haas Hecker (bass) and Mark Anderson (drums/vocals/slide guitar) still had their impressive western style indie folk going on, although with even more polish, confidence and a couple new tricks up their sleeves on this night. This is another band whose sound evokes strong imagery - a sound that would be at home in the wild west yet with a refreshing dose of indie rock influence.

Eye & The Arrow

They began their set with "Prophet's Hometown", a song that could seemingly lead couples to waltzing on the dance floor at an old western ball. They followed that with "Tamales", this time a desert folk-rock dance tune with a slight dash of modern indie rock. Once again I was amazed by Mark Anderson and his drumming/percussion with the way he would constantly be adjusting his kit depending on the song. A lot of folk based music I've heard relies on a steady beat from simple rhythms, but Eye & The Arrow thrives of of rhythmic complexity.

Eye & The Arrow

There were a couple new songs I heard this time around that hinted at the band's versatility. They performed "Punk Song" that had elements of punk rock in it including a big crashing rock ending, yet the song still maintained a definitive western-folk feel. They also incorporated a sort of coastal/retro-surf rock 'n' roll style song tentatively titled "Honey Wine" that showed another range of experimentation and further ability to play outside of but still maintain their overall identifiable sound. "Mexico" was still just as catchy as the first time I heard it, and I loved how they finished their set with the variable tempo and time-signature piece "Stutter Beat". This band approaches folk quite unlike anyone else I've heard, and I think their melding of other genres can give them wide appeal. This is definitely a local band to see.

See more pictures from this show in the Facebook photo album. Like the Concerted Effort page and stay up to date.

Concerted Effort is back again in conjunction with the Hi-Dive to present another night of great music. On Saturday, January 21st the Hi-Dive will be hosting a night of folk-rock featuring a touring artist and a pair of local bands. The bands all share in common a subtle country-like influence in their folk sound, and should deliver a night of heartfelt music.


The headliner is Jack Wilson. Jack Wilson is originally from Austin, TX but is now based in Seattle, WA. This four-piece band plays a mixture of folk-rock with a hint of country western influence but with a definitive modern rock feel. They will blend smooth vocals with lightly twanged guitars, slow rhythms and a touch of brass. Check out their music on ReverbNation.


Local band Eye & The Arrow will join the lineup. This is a band I've seen before and was really impressed with almost immediately. This three-piece band uses the combination of guitar, bass and drums to create a variety of folk flavored songs that seem to have weathered the harsh desert sun of the old west. Yet somehow, there is an undeniable modern element to their sound that keeps their style fresh and not at all outdated. Check out some of their songs on Bandcamp.


The Changing Colors is another local representative, hailing from Manitou Springs. This folk band boasts an acoustic driven instrumental sound joined with soothing vocal harmonies. The result is music that conjures up images of the wild mountains from which it originated - sometimes haunting, sometimes relaxing, but always a powerful presence. Check out their music on ReverbNation.

The doors open Jan. 21st at the Hi-Dive at 8:00PM and the music starts at about 9:00PM. The show is 21+ and tickets are $7 at the door. Tickets are available online here.

Last night was nothing short of amazing. I can say that easily because I went into the evening with pretty high expectations and what I got in return was far more than I could have imagined. I'd been looking forward to seeing Dale Earnhardt Jr. Jr. since the day they announced Denver would be the first stop on their fall tour, so I knew no matter what I was going to be at the Hi-Dive. But for the longest time, the Hi-Dive website did not list any openers for show. I kept checking daily to see if that would change but it wasn't until about a week ago that another name popped up on the bill, and until about three days before the show that a second band was added to the gig. It was cool to see two  new-to-me Denver bands opening up for one of my favorite bands, but since the announcements were made so late I didn't have as much chance as I usually do to get a feel for them before the show. Still, I thought I knew what to expect, but it turned out I really had no idea it'd be so good.

Eye & The Arrow

The first of those local bands was the new Eye & The Arrow. A little less than two weeks ago, Eye & The Arrow emerged as a band, offering up a recorded practice session with six songs titled The Center of the Sea. At about the same time they came onto the scene, they were booked for their first gig as openers for the show last night. The first time I listened to The Center of the Sea, I instantly caught onto the folk vibe but other than that I was a little underwhelmed. Still, I put the album onto my iPod and gave it a few more listens and suddenly their songs, as crude as the recordings were, started to stick into my head. Once that started happening, I couldn't wait to hear what these guys could do live where I'd be able to hear their full sound cleanly.

Eye & The Arrow

Eye & The Arrow took their places on stage and started with the song that stuck with me the most on their recording, "Mexico". Right away I was captivated by what they were doing. This song featured no drums, instead the drummer had an electric guitar on his lap and he would created ambient sound by sliding across the strings. The singer/guitarist joined in with a nice classic country-esque guitar riff and began to softly but passionately sing. The crispness of the sound in the live setting was at least 1,000 times better than the recorded version, and I love the moody folk-country sound they've got going on.

Eye & The Arrow

They continued to play more songs I'd heard off of the EP and each live version was incredible. My favorites besides the opening "Mexico" were; the blues laden "Tamales", the Paleo-esque "Lights Down Lown", and the folky country-blues "Stutter Beat". I really enjoyed the drum work of this band. It's hard to pick out the different things they do on drums in their recording, but in performance it all comes to life. The drummer is constantly tweaking his kit between songs; adding shakers, switching symbols, going from mallets to brushes - all the while keeping a seemingly simple yet intricate beat. Paired with the folky-blues guitar and solid bass work of the other two band members, they deliver a splendid sound. It was an honor to catch these guys in their first live performance, because that just means it gets better from here on out. If you are a fan of indie folk/country/blues, check out Eye & The Arrow.

Kitty Vincent  and Ryan Stubbs of Le Divorce

Next up was Le Divorce, a band with a lot of local accolades but one I hadn't yet seen. At first, I wasn't sure how their somewhat grungy nineties alternative rock sound would blend with what I'd just heard from the previous band and what I'd hear from the headliner, but then they started playing and it didn't matter. For a lot of the crowd (especially those at the show specifically for Dale Earnhardt Jr. Jr.), I think it was an unexpected change of pace that the audience wasn't quite sure how to react to. For me, I knew what I was in for and was ready for some high energy grunge and post-punk alternative rock 'n' roll.

Joe Grobelny of Le Divorce rocking in the Corporate Lounge

I'd heard that the band had a lot of stage presence and they did not at all disappoint. Throughout the set they performed each song with fervor and all members of the band were incredibly dynamic on stage. They have a sound that pays homage to a lot of nineties alternative rock greats; The Pixies, Sonic Youth, PJ Harvey among others, but they do it in a way that is definitively their own rather than being a carbon copy of anything before. It was a good call when they made a set change to pick up the energy level and tore into the song "In The Waves". I really liked the moody "Under the Boxcars" and "6 Feet Under" was absolutely amazing, starting with the feedback loop and ending with guitarist Joe Grobelny coming off stage and playing the guitar amongst the crowd while taking a seat in the Corporate Lounge (Dale Earnhardt Jr. Jr. had a small roped off area to the side of the stage where they would seat a few lucky fans, complete with tables and massage chairs).

Le Divorce had incredible energy

This band is not only high energy but they seem to understand each other very well, keeping the whole listening experience very fluid but highly entertaining. If you're into that nineties alternative-rock and post-grunge sound, you need to make it out to the next Le Divorce show. Their style may not have been the best fit for what other music was happening at the show last night, but they are extremely good at what they do and would flourish in an ideal setting.

Finally it was time for the main event, and having listened to Dale Earnhardt Jr. Jr. for a while now, I thought I had a good idea of what to expect. If you've listened to their album It's A Corporate World, you'll know it's a collection of electronic infused slightly folky indie rock. Like most shows with folkish bands, I expected to see two guys out there on stage delivering heartfelt songs in minimalist fashion. But Daniel Zott and Joshua Epstein are from Detroit rock city, and they sure as hell know how to rock as hard as any band I've seen.

Dale Earnhardt Jr. Jr.'s live drummer

They are touring with a live drummer, and he started the night off on stage drumming fiercely to a rework of Fedde Le Grand's "Put Your Hands Up For Detroit" as Daniel Zott and Joshua Epstein stormed the stage in slick Detroit Tigers track suits and took their places; one behind a large wooden "J", the other behind a large wooden "R". Another set of wooden letters framed the background, another "J" and "R" to spell out Jr. Jr. From there the band went immediately into the anthemic "We Almost Lost Detroit" to instantly stir the crowd into a frenzy.

Joshua Epstein of Dale Earnhardt Jr. Jr.

The first difference I noticed between their record and their live set is how much more energy comes out live. They went into the dance-pop song "An Ugly Person On A Movie Screen" next and it sounded way more energetic and fierce, in an incredibly good way. Having live drumming as opposed to a drum machine adds so much dimension to each song it was unreal. I always wondered where all the ambient background vocals came from, and it turns out Dale Earnhardt Jr. Jr. samples their own singing live, singing into an old '80s handset converted into a microphone that changes the texture of the vocals, looping and layering back the singing into their songs.

Daniel Zott of Dale Earnhardt Jr. Jr.

Even the calmly mooded "Morning Thought" got some extra rock 'n' roll treatment, giving the song incredible oomph and forcing every member of the audience to dance wildly. The quirky and humorous "When I Open My Eyes" had much of the crowd singing along. Little did the crowd know that they'd be singing along to some Whitney Houston, as Dale Earnhardt Jr. Jr. masterfully transitioned from "If It Wasn't You" to a short cover of "I Will Always Love You". That was absolutely amazing. They also dropped a completely brand new song, performed for the very first time, which I think is called "Don't Tell Me" - such an incredible song, complete with their usual smart lyricism. If this is a preview of what else is to come, then I cannot wait for the next round.

Bubble party!

I really didn't expect much for stage production from this performance, but this time I was glad to be wrong. Those wooden letters would light up to the music, flashing Jr. Jr. to the beat while the band would rock out to flashing strobe lights. Just when I thought it couldn't get any better, it did. They finished their set with "Simple Girl" and "Vocal Chords", two of the most iconic songs on the album. As the crowd was already dancing furiously, they were treated with a shower of bubbles from bubble machines, heightening the party atmosphere. We're talking about the Hi-Dive here, and you usually never see any sort of extra production at shows at this venue. But Dale Earnhardt Jr. Jr. stopped at nothing to deliver the most amazing experience. Somehow, even that wasn't enough for Dale Earnhardt Jr. Jr. It came time for an encore, and although the Hi-Dive has no backstage, you could already tell the crowd was incredibly worked up and needed some more of that Detroit rock medicine. Plus, they hadn't yet performed my favorite song on the album, so I knew Dale Earnhardt Jr. Jr. was about to hit us with some more goodness.

Joshua Epstein in a fluorescent jacket

All the lights went off, and out of nowhere the stage was illuminated by black lights. The drummer was wearing a fluorescent orange trucker hat so that immediately caught my eye. Little did I know it'd get even better. In each far corner of the stage, Joshua Epstein and Daniel Zott slipped on checkered fluorescent jackets; glowing brightly yellow, pink, green and blue. In the center of the back of each jacket was a fluorescent "JR". I'm always game for a black light party, and the soundtrack for this one was nothing short of superb. For the first song of their encore, they rekindled the spirit of Whitney Houston and gave it a heavy dose of Detroit rock in a magnificent cover of "I Wanna Dance With Somebody". If there was a body in the building that had somehow managed to keep from dancing for any previous song, there was absolutely nothing they could do to keep from moving wildly during that song. Dale Earnhardt Jr. Jr. then proclaimed their love for the city of Denver and serenaded the audience with my favorite song, "Nothing But Our Love".

Daniel Zott had to come back for one more

I don't know if Dale Earnhardt Jr. Jr. really knew how much Denver loved them too, because that was supposed to be their final song. But after constant cries for one more song from a still frenzied crowd, Dale Earnhardt Jr. Jr. pulled out the final trick they had up their sleeves. "We'll play another song, but we haven't practiced this one in three months!" said Daniel Zott. They gave the Dale Earnhardt Jr. Jr. treatment to another '80s dance classic - Steve Winwood's "Higher Love". By the end of the night, everyone was a sweaty mess. It was definitely the most passionate audience I'd ever seen at the Hi-Dive. I'm still amazed at how perfectly Dale Earnhardt Jr. Jr.'s music translated into a live performance. I was already a huge fan, but after last night, I can't even begin to express how much I love this band now. It was easily one of the best shows I've seen this year, so check them out the next chance you can. They are just that incredibly good.

See more pictures from this show in the Facebook photo album. Like the Concerted Effort page and stay up to date!

Tonight is a night I've been looking forward to for a long time, ever since Dale Earnhardt Jr. Jr. announced they'd be doing a fall tour at the end of July. I first heard their music at the beginning of this summer and was instantly hooked, but I narrowly missed seeing them the last time they were here in early June. I thought I missed my opportunity to catch this band this year, so I was instantly excited when I saw they'd be back, and my excitement has only been steadily growing ever since.


Dale Earnhardt Jr. Jr. is a band from Detroit, MI; the project of Joshua Epstein and Daniel Zott. Together, these guys have crafted a wonderful brand of indie rock that has dashes of folk but uses clever electronic production to make each song a unique and uplifting escape into sound. On top of the amazingly layered instrumentation are incredible vocals and lyrics that stay with the listener well after each song passes. It's hard for me to pick out just one song to offer up for a preview, because the album It's A Corporate World is a masterpiece of varied songs from start to finish and it's been one of my most heavily listened to albums of the year. Since I have to choose, check out "Nothing But Our Love".
Dale Earnhardt Jr. Jr. - Nothing But Our Love by Dale Earnhardt Jr. Jr.


Before Dale Earnhardt Jr. Jr., showgoers will be treated to two local Denver bands. Le Divorce is one of those bands, a foursome known for delivering slightly grungy '90s-type indie alternative rock. Kitty Vincent's vocals give the band's sound added attitude, making them sound somewhere between PJ Harvey and The Pixies. Which is funny, because just as I was typing that last sentence I heard the lyrics "A Pixies album at 3AM" from the song "Analogue". Check it out.
Analogue by Le Divorce


The other local band opening the show is a new Denver folk rock trio called Eye & The Arrow. This band pretty much just popped up last week, so I have very little info to go off of, but apparently the band features members of Paper Bird. I have had a chance to listen to their album The Center of the Sea and their brand of quirky folk has similarities to the folk aspects in Dale Earnhardt Jr. Jr., so it should be a good fit. The recording is a bit raw though, so I'm eager to see how it comes together live. Check out "Mexico".
Eye & The Arrow - Mexico by Concerted Effort