The way Tuesday night's show at the Ogden Theater was covered was definitely a first for this blog. It's not typical do selective coverage on a show, but I really only went to check out a particular band who happened to not be the opener this time around. Of course, that meant I had limited press credentials, so if your wondering why the headliner is absent from this review, it is because I wasn't able to cover them. So although I wasn't able to cover The Dirty Heads, I was still able to cover the first two bands and that two-thirds of the show went very well.

Apex Vibe

I went into the show expecting to cover two bands and I still left the show covering two bands; one just happened to be unexpected. As a last minute addition, local reggae rock band Apex Vibe was called in to open up the show. Apex Vibe is Tim Sanchez on lead vocals/guitar, Derek Barnard on lead guitar, Sam Caudill on keyboards/vocals, Tim Davis on bass/vocals and Dubs on Drums. With the steady foundation of reggae and dub, Apex Vibe fused elements of rock and funk into a laid back yet lively sound that could easily come from the west coast.

Apex Vibe

Apex Vibe exhibited their songwriting craft with songs off their album Elevate like "Rockaway" and "In The Moment" - songs that crafted smooth 311-like vocals with crisp instrumentation reminiscent of Sublime. They quickly got the crowd into a groove, setting the mood right for what was to come later. Being a last minute addition, they were mostly unknown to the crowd, so they cleverly performed some cover songs to endear them to the audience. Their spot-on covers of Pepper's "Stone Love" and The Expendables' "Bowl For Two" got the crowd engaged and singing along. They had good presence and energy and transitioned smooth from song to song. If you are a fan of reggae rock, Apex Vibe definitely represents that sound.

Wallpaper.

Next up was the band I was waiting to see, Wallpaper. Wallpaper. performed as a four-piece band; frontman Ricky Reed handled the vocals and occasional guitar, with backup singer Novena and not one, but two live drummers. Together they performed a satirical form of party pop music, complete with loud and heavy beats, catchy hooks and plenty of swagger but paired with tongue-in-cheek lyricism. It was one of the most multi-leveled performances I've ever witnessed, as the whole crowd was enjoying the show, but for conflicting yet unified reasons.

Wallpaper.

I'll admit, if I didn't know about Wallpaper. beforehand, I'm not sure if I would have been able to catch all that they were about right away. That's because the lyrics to Wallpaper.'s songs are so key, but especially in the live setting, lyrics aren't usually what I immediately focus on. Instead I usually try to evaluate the overall sound, with much focus on the instrumentation. I found pop to be a good vessel for Wallpaper's message. The simple song structures and catchy choruses helped bring the lyrics to the forefront. Although I knew to listen for the words, those who normally would miss them would have a hard time not catching them based just on the way Wallpaper.'s songs are structured.

Wallpaper.

With that in mind, Wallpaper. began their set with the song "Shotgun", a pool party song with a catchy auto-tune melody and club beat with an open-ended message about drinking about alcohol. It can be interpreted different ways, but I look at it as poking fun at day-party culture. That continued to be the theme - multi-leveled hilarious songs with deep meanings wrapped around production that would be instantly pleasing to the habitual top 40 listener. That meant the crowd was having fun because they enjoyed the deeper meanings, the way the music sounded, or both.

Wallpaper.

Not only was it enjoyable to hear Wallpaper.'s well-written parodical songs, the band was an absolute joy to watch as well. The two drummers served a purpose greater than just adding the layered drum sound heard in a lot of modern pop music, they added an extra visual dynamic. When they weren't pounding kicks and snares in perfect sequence they flailing their sticks in the are or jumping around with enthusiasm with contagious wide smiles. Ricky Reed and Novena would do synchronized dance routines with a playful whimsical quality to them - well executed but not the serious over-choreographed fare that seems to be all the rage.

Wallpaper.

Wallpaper. did a good job of performing mostly in character, as in they portrayed their satirized image and absurd song content very well live. But they did it in such a way you could almost imagine their tongues protruding out the sides of their faces because in reality that isn't what they are about. Still, there is a careful balance that Wallpaper. has, as they realize that despite the absurdity of their message, there is indeed a thick layer of truth behind their songs of excess, so despite the deep levels they are trying to expose, I would think they are happy if people enjoy their music on any level. In fact, Ricky Reed of wallpaper pretty much said that in the interview I conducted before the show.

Wallpaper.

I think on any level, Wallpaper. is an amazing live experience. If you are a fan of pop music, Wallpaper.'s cunning production skill is magnetizing. Whether or not you will see or appreciate any of the deeper levels of Wallpaper.'s music, the overall sound itself is very palatable. If you are not a fan of pop music, you just may enjoy Wallpaper. because it is anti-pop in disguise. Watching some of the irony go down at the Wallpaper. show was some of the most fun my cynical side has had in a while. Give some Wallpaper. songs a good listen, because I'm sure one way or the other, it'll put a smile on your face.

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Wallpaper. Set List
Ogden Theater 11/08/11
Shotgun
Change The World
Gettin' Drip
Ddd
2 Pair A Shades
T Rex
Okay
Trouble
FUCKING BEST SONG EVERRR
#STUPiDFACEDD
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I had the chance to meet the mastermind of the wild satirical party-pop group Wallpaper. - frontman Ricky Reed. Ricky Reed and his band members were lounging backstage waiting for their opening performance before The Dirty Heads at the Ogden Theater. Sitting coolly on a comfortable leather seat, he leaned back on his chair as he polished off a fresh banana, ensuring he'd be potassium-enriched enough to answer a slew of questions. After a brief, friendly introduction, it was time to get down to business.

Ricky Reed of Wallpaper.

Concerted Effort: The First time I heard your music I didn't get the satirical aspect of it I just heard what it sounded like and just thought, "oh great, more party music." It took me another listen before I realized what you were doing and now I think it's really awesome. Do you think most people understand your message right away while you are on tour or does it take a little bit for people to catch on?

Ricky Reed: I think when we're on the road people gravitate towards the immediately pleasing aspects of our records, and they will slowly dig into those deeper, darker, more special places. But satire or not, art or not, the main goal is to make people feel good and however way that they do feel good is fine with me.

CE: Pop music used to mean something but now it seems a little more diluted - a little more in the background...

RR: ...like wallpaper...

CE: ...yeah like wallpaper. [That's the reasoning behind the band's name. They feel modern pop is meaningless and in the background, much like wallpaper in a room.] What do you think happened?

RR: Wow. I could do like a ten minute diatribe... It always comes in waves. Some of the worst bubble gum, light weight, meaningless, awful records were made in the late '50s and early '60s. So much terrible bubble gum doo-wop garbage from that era. In the late '70s it was Captain & Tennille, you know, that Lawrence Welk type shit. In the '80s some of those hair bands were terrible. And here we are now with our own version of this awful shit. There's always been great pop records and there's always been awful pop records. Right now we have our own brand of awful, but the problem is we don't have any superheros, and that's what we need.

CE: What are you doing to give your brand of pop music a little more substance?

RR: I don't know how to not imbue my music with substance. I would have to actively remove things from it. To do that I just spend time with it. I don't release the first thing I write. I don't write a lot of songs. I write just a few and the few that I do are special.

CE: If you could have a superpower what would it be?

RR: This is one I always had since I was little. When I was young I wanted to be a basketball player. If I had any superpower it would be to be able to make a basket from anywhere without looking or whatever. Because I thought that if I could do that then all of the money, the riches and the fame would be mine anyway and I'd be the illest basketball player of all time.

CE: What was your favorite subject in school?

RR: Probably P.E. - physical education, gym. Because I liked running around playing kickball and shit and talking to girls and just fucking digging life.

CE: "Safety Dance" or "Humpty Dance"?

RR: The "Humpty Dance". "Humpty Dance" is the fucking dance, dude. The "Humpty Dance" is like - I mean, you asked me what my favorite subject in school was, if you asked me what my second favorite subject was it would be the "Humpty Dance". That's something that's real...well...the "Humpty Hump", Shock G, Digital Underground was very instrumental to me. Like the kind of music I was raised listening to, you know? We heard the "Humpty Dance" on the radio just last night and it's still so funky.

CE: What do you listen to while traveling on the road?

RR: It varies, you know? I won't say anything specific but I'll say the way we listen to music on the road is usually one of two ways. You listen to albums - those great, big, rich, raw records. We have those and then we have our series of like kinda inside joke jams. Last tour's was "Pretty Boy Swag". So it's like real records and a couple wacky songs spliced in there.

CE: So you've got some musical guilty pleasures?

RR: Oh yeah, but I'm not guilty. I was found innocent on all charges.

CE: How was your last experience in Denver at the Summit Music Hall?

RR: It was good, man. That show was tight. We had a really good time. We were with Awolnation - I think they're playing in Fort Collins tonight - but yeah that was great. The fans were in to it and I believe it was our last show of that tour. We flew out of Denver International Airport the next day, which is covered in freemason art, signs of the occult and shit. Pale horse of death out front.

CE: Yeah, there are a lot of conspiracy theories about that place. Did you see the mural in there?

RR: Is that the one with the little kids dying? Yeah dude. W-T-F.

CE: Who's your favorite comedian?

RR: Probably Andy Kaufman, Richard Pryror...Chris Brown.

Check out the live review of Wallpaper.'s performance. Wallpaper will continue touring with The Dirty Heads through November 19.
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Every once in a while a show comes up with a headliner that doesn't necessarily excite me, but then I see who's opening and it suddenly turns the concert into a must-see show. I'll be heading to the Ogden Theater Tuesday night for that very reason. It's not that the headliner won't be fun - they've got a good mix of influences in their reggae based sound that should make for a very energetic show. It's just that the opener has a very intriguing concept that puts a wide smile on my face every time I think about it.


That opener is Wallpaper., the project of San Francisco producer and multi-instrumentalist Ricky Reed. At first glance, Wallpaper. seems to be just like any other heavily produced, club-centric and pop-oriented party music that may lack in substance but has that sought after sound that gets 'the job' done. But after looking a bit harder, there is much more than that going on, and it makes me feel warm and fuzzy inside. Wallpaper. is sleazy party pop music with a devious anti-pop satirical twist - a wolf in sheep's clothing. Wallpaper. pairs well crafted pop production with parodical lyricism so seamlessly I wouldn't be surprised if many don't see the connection.

Wallpaper. is purported to take it a bit further for live performances. Ricky Reed is aided with a live drummer and is known to play several instruments himself to propel his sound, gaining him notice for the high-energy atmosphere of his concerts. I'll be curious to see how the crowd will react to his music. Will they hear what it is or just hear what it's disguised to be? I'm itching to find out, because I expect the opening set may well be drenched in irony, but either way it'll be fun. Check out "#STUPiDFACEDD".
Wallpaper. - #STUPiDFACEDD by wallpaper


The Dirty Heads are headlining the show, and they will be bringing their brand of reggae-rock that has both hip-hop and punk influences. This southern California band released their first album, Any Port In A Storm in 2008, but really crashed onto the scene in 2010 after the single "Lay Me Down" from their reissued album topped the Billboard rock and alternative charts. They should bring a high-energy performance of the reggae-rock style popularized in the mid-nineties. Check out that single which features Rome Ramirez from Sublime With Rome.
The Dirty Heads - Lay Me Down by SSMF

The Ogden Theater doors open at 6:30PM, and the music starts at 7:30PM. The show is all ages and tickets are $25 ($30 day of show).
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