Lipgloss, Denver's longest running club night does more than throw a great dance party every Friday night. Sometimes the prospect of quality acts coming to town can't be ignored, and Lipgloss will help throw a one-off party at another venue. That was the case when The Twelves and The Phantom's Revenge came to Denver, and the result was a wicked Wednesday night dance party that instantly became a night to remember. If you were there, you already know, but if you missed it, check out the video below to see why you should keep your eyes out for the next one. Until then, be sure to catch Lipgloss - still every Friday night, but at their new Beauty Bar location. They'll be hosting a big act in their new digs to celebrate their 11th anniversary with the Junior Boys on June 29 - another sure to be can't miss event!

Lipgloss presents The Twelves from Concerted Effort on Vimeo.


The Lipgloss anniversary party is on Friday, June 29 at Beauty Bar. This 21+ event kicks off at 9:00PM sharp. Tickets are $7 in advance and are available for purchase online here.


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Named after the comic book hero of the same name, The Phantom’s Revenge will take the stage tonight alongside The Twelves, boyhollow and option4 at Marquis Theater. The 23-year-old French house producer will bring his disco blitz, funky sampling and glitchy remixes to Denver tonight for one of the most outrageous weeknight dance parties we’ve seen in a while.

Our friend Ashley Hall of Early Bird // Night Owl caught up with The Phantom’s Revenge to chat about his influences, his infamous moniker and touring.



AH: For some of us who've yet to hear of you, can you tell us a bit about your background and  what the number one thing we should know about you as an artist?
PR: So, I'm making music now [for the first time in] maybe something like four years. I have no special background, I just decided to get into music four or five years ago when I was working in a bank. Rock 'n' roll, right? The number one thing you should know is that I can do a lot of things for a good pizza.


AH: Growing up in France, who were some of the most influential French musicians that inspired your music? What about American artists?
PR: I was mostly influenced by American artists to begin with, like Paul Johnson, Armand Van Helden – those guys from Chicago. And of course, from a French point of view, Daft Punk, and some other DJs from around 2000. Then later, I think Justice, Breakbot and Mr. Oizo became huge influences.

AH: How did you decide to call yourself The Phantom's Revenge?
PR: It's quite random. I like cheesy movies, like bad movies that are so bad they become good. I just bumped into this Phantom movie from 1995 and I loved it in a really strange way. The name comes from this.


AH: After extensive touring, I’m sure you've had some pretty crazy experiences on the road. Can you share an epic  tour story with us?
PR: Honestly nothing that crazy! I mean not Justice across the universe crazy. There is this time, when I was playing in Sao Paulo, Brazil for the second time, played a set for a packed club, and at the end of the set, they like just grabbed me in threw me in the air like they sometimes do after a sports game. The epic part of the story is I managed to keep my drink almost intact.

AH: What can your fans expect from you next?
PR: More tracks, more music, more breakdance. A few things are on the way, one release on Nervous, a new EP, things like that.




AH: There are a lot of dialogues from movies incorporated into your songs, what's your all time favorite movie?
Full Metal Jacket

AH: Are you a big fan of The Twelves? Have you played with them before?
PR: I’ve never had the chance to play with them, and of course I am a fan. Basically, if you don't like The Twelves’ music you are dead inside.

AH: Are there any other artists you are anxious to work with?
PH: The list is way too long, too many cool people out there. But if I had to choose, something with Armand Van Helden wouldn't be bad!

Check out The Phantom's Revenge along with The Twelves, option4 and boyhollow presented by Lipgloss at the Marquis Theater tonight. The doors open at 8:30PM and the music starts around 9:00PM. The show is 18+ and tickets are $17. Tickets and more information are available online here.
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Halloween weekend definitely got started with bang. The downtown streets were filled with crazy costumes Friday night as people began their extended weekend celebration. There seemed to be something happening at every corner, and when I reached the corner of 20th and Larimer there was a long line of people outside the Marquis Theater eagerly waiting to cram inside for a sold out show. The sellout caught many by surprise, as people lined the sidewalks hoping to find anyone that could help them get a ticket inside, but with a venue like this and for the event that was happening that night, those opportunities were hard to come by. I made my way inside, already feeling lucky to be a part of this concert before it even began - sold out shows always have an extra level of energy.

Reptar

The venue was jam packed even before the music started, and soon Reptar came out on stage to open the night in front of a voracious crowd. The indie-pop four-piece from Athens, GA took their respective spots on stage to what sounded like a theme song from an old '80s sitcom. Ryan Engelberger took his place on bass, Andrew McFarland on drums, William Kennedy on keyboards, and Graham Ulicny on guitar and microphone. The intro theme song transitioned into a song that maintained that '80s synthpop feel paired with Graham Ulicny's unique vocal delivery. The vocals really set this band apart, a combination of pure rock attitude and a twist on pop styling delivered incredibly passionately, making a vocal style that sounds like nothing else.

Reptar

For this performance, Reptar steadily built up the energy and intensity from beginning to end. The first few songs were dancey but more mellow all the way up to the performance of "Phonetics" from their EP Oblangle Fizz Y'all, a song that starts with just keyboard and guitar but explodes in the end with an uptempo rhythm over the original melodic theme. After another new song, they had the people on the dance floor at full boil starting with "Rainbounce", a half synth-pop half dance-punk piece, to "Blastoff", a funky synth-rock song, to their final two songs, both intense electro-rock songs not on their EP.

Reptar

They kept me on my toes by only choosing to play a few of the songs from their EP. Although I really wanted to hear live versions of all those songs, it bodes well for the future that they've got much more songs in store that has their unique blend of dance-rock. I had a really good time with their performance, and it did well to make me hungry for a full-length album and for them to return to Denver again so I can hear them perform even more. Not only do these guys have a fresh take on electro-rock and synth-pop, they perform their songs with unbelievable energy that truly has to be seen. I'd definitely recommend this band to fans of indie rock, synth-pop, and dance-punk, especially for those looking to go crazy on the dance floor.

Phantogram

For Phantogram's headlining set, somehow the venue seemed packed tighter than it had already been, because as many people as possible were trying to make that push forward to get close to the stage. It was for good reason to, because Phatogram really knew how to put on a show. The lights went dim as drummer Tim Oakley took his seat behind the drums positioned at the rear of the stage. He began to lay live drums over a sampled beat while keyboardist Sarah Barthel and guitarist Josh Carter made their out on stage. Suddenly, bursts of bright colored light glowed behind the two, making glowing silhouettes at the front of the stage as the band played through their introduction.


Phantogram

Colored spotlights illuminated the faces of Barthel and Carter, as the band tore into one of their newest songs, "Don't Move" from the EP Nightlife. The combination of live drumming, sample-based drum loops, synths and guitar created a trip-hop means electro-rock sound that caused the audience to do exactly the opposite of its song title. They continued dropping one hot song after the other, creating a dark mood with their instruments and vocals but pumping energy into the crowd with their beat-work, spurring a night-long sweaty dance-fest inside the venue walls. Each song was enhanced at just the right moment by an impressive lighting display - bright strobes would hit at the right moments of emphasis, vivid colors would subtly shift, rays of light would beam hypnotically from the stage.


Phantogram

They kept a good mix of songs from both their new EP and their first album Eyelid Movies. The crowd hung onto every beat as they danced wildly through the night. About five seconds into the start of each song cheers would erupt from the crowd because the house was packed with fans who could instantly recognize each song as they were beginning to play them. Midway into the set, "Mouthful of Diamonds" had the whole crowd singing along to every word with the band in chorus, creating a surreal experience as at that moment both the crowd and band seemed completely connected. That happened again when Phantogram ended their regular set with "When I'm Small", as the audience even matched every "Ooh Ooh".

Phantogram

After that song, Sarah Barthel conceded to the crowd she just may have lost her voice. The members of the band retreated to backstage but the crowd still craved some more. The crowd immediately called for an encore, and shortly thereafter Phantogram returned to the stage for one final song. They chose the song "Futuristic Casket" to end the night, a song in which Josh Carter had the main vocal duties. It was the perfect way to end the night - it was still a complete dance floor banger that gave the crowd what they were looking for and it allowed Sarah Barthel a little vocal respite.

Phantogram

For those lucky enough to be a part of the sold out crowd, the performance they received was top notch. Phantogram's style of music is enthralling on its own right, but the experience was enhanced by it being the start of Halloween weekend, allowing the crowd to really lose themselves in the whole experience. If you missed it, hopefully they'll be back to Denver after they finish their second album. Also, they are still early into their tour, so they still have many dates around the rest of the country. Until they come back, pick up their new EP Nightlife if you haven't already, and plan ahead for the next Denver Phantogram show, because judging by how it went down on Friday night, they easily could have sold out a party at least twice the size it was.

See more pictures from this show in the Facebook photo album. Like the Concerted Effort page and stay up to date.

Phantogram Set List
Marquis Theater 10/28/11
(Click song names to purchase from iTunes)
Regular Set:
Intro
Encore:
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Halloween weekend is finally here and it's going to be big. There are plenty of live music events to choose from this weekend, all offering a slightly different way to party the night away. Tonight, I'll be kicking it off at the Marquis Theater, which will be hosting two indie electro-rock bands that'll set the tone and ignite the dance floor. They each boast a unique style, and should play well into the season, having just the right amount of darkness while still being wicked fun.


The headliner is Phantogram, an electro-rock band from New York. The band consists of Josh Carter on vocals/guitars, Sarah Barthel on vocals/keyboards, and touring live drummer Tim Oakley. This band creates a unique trip-hop style of electro-rock that carefully balances organic instrumentation with the use of samples and loops, creating a highly infectious and very moody hybrid sound that maintains incredible danceability. Check out "When I'm Small" from their debut album and "Don't Move" from their upcoming EP.
Phantogram "When I'm Small" by Barsuk Records
Phantogram - Don't Move by Hypetrak


Reptar is an indie electro-rock band from Atlanta, GA. This band takes a less moody approach to the genre, creating a high energy dance-rock sound with contagious peculiarity. The songs have creative structures and a certain whimsical quality to them that sets them apart, but overall are just intensely fun to listen to. Check out "Blastoff" and "RainBounce".
Reptar - Blast Off by Vagrant Records
Reptar - Rainbounce by Vagrant Records

The party starts at the Marquis Theater when doors open at 8:00PM. The show is all ages and tickets are $15. EDIT: Hope you got your tickets early, the show is sold out!
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Friday night at the Marquis Theater, I never left Denver but I felt like I took a high-energy trip around the world through music. The Marquis Theater hosted three great local bands all playing music styles that originated from outside this country. The night offered a little bit of everything; Latin infused reggae, fast paced afrobeat, and high-energy ska. The bands all did well to be true to their respective genres while also infusing a bit of their own modern uniqueness to the various styles they were performing.

Mono Verde

Mono Verde opened up the night, and they brought a blend of reggae and Latin music with them to the Marquis Theater Friday night. They had a large band, a common theme on the night, with ten band members playing everything from guitar (electric and acoustic), trumpet, saxophone, bass, keyboards, drums, and various percussion. With those tools they created a fusion of slow tempo laid back reggae and spicy Latin rhythms. Mono Verde's music is what I like to call sexy hip-shaking reggae, as a lot of what they played was reggae mixed with sultry Latin rhythms such as salsa and samba. The crowd started out small and shy, but as Mono Verde's set went on, more people came to the floor and started to dance. By the last song, they had everyone dancing and singing along to a reggae-fied version of the Cuban classic, "Guantanamera".

Yuzo Nieto of Pink Hawks

Next up was the Pink Hawks, a local group dedicated to recreating the high-energy afrobeat sound. I started listening to afrobeat music a little over five years ago when I discovered Fela Kuti, and I've been hooked on that sound ever since. Needless to say, I was more than ecstatic to find out Denver had their own afrobeat band in Pink Hawks, so I was glad to finally get the chance to see them live. Another large ensemble, this band of nine used electric guitar, percussion, saxophone, trumpet, drums, keyboard, violin, bass and bongos to create their wickedly enjoyable sound.

Lannie Shelton rocking the afrobeat fiddle for Pink Hawks

The Pink Hawk's performance was incredibly enjoyable, as they hit the crowd hard with a handful of epic and hypnotically rhythmic musical gems. They opened their set with the poly-rhythmic afro-jazz affair "Everything is Poetry", which immediately engaged the whole crowd and had them moving wildly on the dance floor. While the percussion section held down a steady beat and the bassist fed the crowd an infectious bass line, the other instrumentalists traded off wild solos in between sections of chanty vocals. True to most songs in the afrobeat genre, the song clocked in nice and lengthy - a little over fifteen minutes, yet for the members of the audience, that time flew by in a flash during a session of untamed dancing.

Koffi Toudji of Pink Hawks ready to hear you scream

Somehow, the Pink Hawks managed to kick up the energy with each successive song, taking it sky high for the finale of their set. When it came time to perform the final song "Separate the Corporation and the State", the Pink Hawks called up members of The Dendrites to join in on the performance, and many members of that band obliged, adding their instruments to the mix. At that point the crowd was already going insane, but with about fifteen people on stage blasting the song energetically, the crowd was hopeless but to dance without inhibition. The Pink Hawks even got the crowd involved, as percussionist Koffi Toudji picked up a microphone and challenged various members of the audience to belt out their loudest wail - it was very intensely fun to watch. I knew going into this show, based on the virtue of the Pink Hawks being an afrobeat band alone, the energy level was going to be through the roof. After actually witnessing it occur, the energy was through the roof and into the stars - it was just that much fun and that incredibly good.

KBone Larsen of The Dendrites

Just when I thought I'd seen one of the more energetic performances I've had the pleasure of seeing in a long time, somehow there was more energy to be found. It was time for the headliners to perform, and another large ensemble stormed the stage, this time Denver's own The Dendrites. This ten piece band had two guitars, two percussionists, two saxophones, a trumpet, a trombone, a drummer and a bassists, and all together they produced vintage instrumental ska with incredible authenticity.

Mont Brown of The Dendrites

I've already exhausted the word energetic describing the two previous bands, but I'm going to have to reach into that bag one more time. The Dendrites were definitely energetic, although with this band, it was a little bit different. When a band can get an entire venue skanking so hard the floor shakes to every offbeat, I can only label that amount of energy dendritic. It's like this band is already well aware that their brand of music is like a shot of electricity directly to the brain.

Squidds Madden of The Dendrites

From start to finish, the Dendrites were absolutely phenomenal. They played a lot of upbeat, wall shaking ska with songs like "Flight School", "Gumbo Hustle" and "Sol Songo". They were able to keep the crowd engaged throughout every song, and at some points, were engulfed within the crowd itself. At one point, Dendrites trumpeter Squidds Madden left the stage and played among the crowd, joined by the trumpeters from Mono Verde and Pink Hawks. Of course when the crowd saw this they managed to find a way to go even wilder than they had all night. Even The Dendrites' slower, easier tempo songs like "Armed and Opposed" and "Sebsi" had the crowd hanging on to the groove and dancing all the way through. It was an incredible experience, and I thoroughly enjoyed watching not only the band perform, but the crowd dancing in reaction to the awesome music the band was producing.

I've been to a lot of shows, both where there was a ton of energy in the venue and also some where there was none to be found. Friday night at the Marquis Theater was an extreme case of the performers and crowd having ridiculous amounts of energy, and it made it one of the most memorable concert experiences I've had in a long time. If you are a fan of reggae, afrobeat and ska, I guarantee you will have an amazing time seeing one of these bands perform. Having all three put together in the same show? I don't know how they got away with it - putting a show together with three bands that were this much fun should border on being criminal.

See more pictures from this show in the Facebook photo album. Like the Concerted Effort page and stay updated!
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Tonight I'm headed to the Marquis Theater to catch three great local bands. The Marquis Theater will be hosting local ska, afrobeat and reggae bands, so get ready to dance and skank the night away. Fans of world music and reggae music should come check out what these bands have to offer, as all of them boast a fun and style.


The headliner tonight is the local throwback ska band The Dendrites. The Dendrites pay homage to early vintage ska, so their sound will transport the listener back in time to 1960s Jamaica. Much like their influence The Skatalites, they create their vintage ska sound with the help of a big band playing various different instruments. They play ska with a slight contemporary twist, so their sound lies somewhere between the old and the new. Check out their BandCamp page to hear some of their songs.


Joining the lineup is Denver local afrobeat group Pink Hawks. They'll be bringing that '70s Africa sound to the Marquis Theater. Afrobeat is a blend of funk, jazz, and traditional Nigerian Yoruba music. The Pink Hawks seem to strive to bring that classic authentic sound to the modern world in their epic songs. Check out their BandCamp page to hear their music.


Opening the show is the Denver based reggae band Mono Verde. This isn't your typical reggae band, however, as members of this band originate from Mexico, Dominican Republic, Venezuela, Colombia, and El Salvador. Their music contains classic reggae instrumentation and style with a little Latin twist, and all their vocals are sung in Spanish. Check out their Myspace page to hear their songs.

The doors open at the Marquis Theater at 8:00PM tonight. Tickets are only $8 at the door, so come on down!
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If I could be in two places at the same time, I would also be at the Marquis Theater tonight. Two of my favorite local Denver electronic bands, Flashlights and Force Publique will be there. Denver local hip-hop artist Whygee is also nothing to shake a stick at, and local electronic artist R E A L M A G I C is finding a lot of play in my music rotation lately.


Flashlights is kicking off their late summer tour by starting in Denver tonight. These guys have been getting a lot of exposure lately, especially after winning best electro-pop band at the Westword Music Showcase this summer. These guys have a very unique electro dream-pop sound. I saw these guys perform at the showcase and they are quite good. Ethan Converse and Sam Martin get really into their set, and the expression literally drips off their faces. Check out "New Hampshire". I've never been to that state, but the way they sing about really makes me want to go there.


Force Publique is another band I saw at Westword Music showcase, and was sad to narrowly miss as openers for Battles last month. These guys have a very experimental electro-rock sound that I can't quite describe and took me completely by surprise at first - but now I keep playing their eponymous EP on loop. I'm sure their sound isn't for everyone, but if you're looking for something new, check out "Still Falls Apart" and "Fortified".


Whygee is a veteran MC and beat-boxer who has been a part of various Denver hip-hop projects. Fans of classic hip-hop will enjoy Whygee's style, as he pays homage to the greats while injecting his own, Colorado influenced style. Nod your head to the soulful song, "She Said".




R E A L M A G I C is an up an comer in the Denver electronic music scene, who fits right in line with the chillwave scene. He's like the local version of Chad Valley, but draws a bit of his sound from drum-and-bass and dubstep. By no means is he going to womp your face off though or get you running through the jungle. Instead, it's like more like easy listening for bass fans. Check out "No Things Left".




The party starts at the Marquis Theater at 8:30PM. Tickets are $10 at the door. Go support some great local talent!

New Hampshire by FLASHLIGHTS Still Falls Apart by FORCE PUBLIQUE Fortified by FORCE PUBLIQUE She Said (prod. by Mirrorkill) by Whygee R E A L M A G I C - No Things Left by licas
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It's another busy night of concerts in the Denver area, and although I won't make it out tonight, I'm here with a brief report. I figure I won't mention the sold out shows since those that want to go to them should already have their tickets in hand, while those who would want to go have a very slim chance (or expensive chance) of doing so.


In Boulder tonight will be the hip-hop group The Cool Kids. I was a big fan of their first album, The Bake Sale. It got a lot of play in my rotation back in the summer of 2008. They are currently touring for their new album, When Fish Ride Bicycles. If you are a fan of the first album, the new one should not completely disappoint. Along with more popular sounding, radio-friendly songs like "Swimsuits" and "Summer Jam", they still have songs with bumping minimalist beats (think "Mikey Rocks") with songs like "Gold and Pager" and "Bundle Up". Should be a good, dance-able show. The music starts at the Fox Theatre after 8:30PM.


I didn't find out about these guys or this show until yesterday, but if you want to get bloody tonight, check out Iceage at the Rhinoceropolis in north Denver. This band hails from Copenhagen, Denmark, and they seem to draw the rage of old viking warriors out of their post-punk-something-or-other sound. The band members are young - they average about seventeen years of age - but that youth just gives the band more energy. Check out "White Rune" and "New Brigade" and see what I mean. I think these guys sound awesome but I don't know if I'd last a minute in the pit. If you are looking to beat the crap out of someone tonight, do it at the Iceage show. The pit gets going at 9:30PM.


The last band I'll talk about, Ludo, is also a new band to me. Compared to Iceage, Ludo delivers a sound that is like delicate flowers. Not that it isn't good - these guys are just purveyors of indie pop-punk. To be honest, I kind of like this St. Louis band - catchy but still energetic. Check out "Love Me Dead" and "All The Stars In Texas" to see if this is more your style. If it is, you can see them at the Marquis Theater tonight, show starts at 7:00PM.

The Cool Kids - Summer Jam (feat. Maxine Ashley) by lilpoops
The Cool Kids – Bundle Up by Hypetrak

Iceage - White Rune by Pgm_Denmark
Iceage - New Brigade by MASSES

Ludo- Love Me Dead by collie2266
08 All Stars In Texas by Heitorr_
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